Andrew Sinclair: ‘Dracula made the vampire pictures and the early ones are brilliant in their blood-sucking, their romance and their horror. The later ones have become an art form of our time.'

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Andrew Sinclair: ‘Dracula made the vampire pictures and the early ones are brilliant in their blood-sucking, their romance and their horror. The later ones have become an art form of our time.’

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Andrew Sinclair: ‘Even at the Siege of Paris the Montgolfièr balloon flew over the city to spy on the advancing Germans.’

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Andrew Sinclair: ‘Even at the Siege of Paris the Montgolfièr balloon flew over the city to spy on the advancing Germans.’

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Andrew Sinclair: ‘When I lived in Narrow Street 40 years ago, Old Ma Fisher had her barges outside in the Thames. Now, with Francis Bacon who painted there and Ian McKellen living there, they look out onto a river full of nothing but electric boats and tourists. The barges are long gone.’

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Andrew Sinclair: ‘These were the first museums: the cabinets of curiosities and in them even the Smithsonian started as such and now is coming to east London.'

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","

Andrew Sinclair: ‘These were the first museums: the cabinets of curiosities and in them even the Smithsonian started as such and now is coming to east London.’

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

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Andrew Sinclair: ‘This is a postcard. Before the First World War the Emperor in an orgy mocked by the French.’

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Andrew Sinclair: ‘This is a postcard. Before the First World War the Emperor in an orgy mocked by the French.’

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Andrew Sinclair: ‘From revolution to attack, Paris has always been on guard against the enemy within and without.’

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","

Andrew Sinclair: ‘From revolution to attack, Paris has always been on guard against the enemy within and without.’

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

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Andrew Sinclair: ‘I’ve been collecting posters of the cinema all my life because I ran a company which published 60 classic screenplays but I’ve always loved Edgar Allan Poe and even wrote a whole book about him: The Facts in the Case of EA Poe.’

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Andrew Sinclair: ‘I travelled often in the Yucatan. I’ve seen all those Mayan pyramids so many times but I always wonder at them and their art: a lost civilisation and one of the greatest ones that ever were.’

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Andrew Sinclair: ‘I’ve always loved Lewis Caroll because of his surreal side. She walks to wonderland, Alice, she walks through mirrors, and, in my way of seeing her, she walks in our imagination - out into space and past time.’

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Andrew Sinclair: ‘I lived a long time in Paris. I painted it occasionally. And I’ve always been fascinated by early transport and indeed the way, somehow, whenever you go to Paris you’re always in past time as well as now.’

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Andrew Sinclair: ‘What child hasn’t always wondered about Robin Hood? Here we see his legend and, alas, his death. But there you are: he lives for ever and will always enchant wherever we are.’

","

Andrew Sinclair: ‘What child hasn’t always wondered about Robin Hood? Here we see his legend and, alas, his death. But there you are: he lives for ever and will always enchant wherever we are.’

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Andrew Sinclair: ‘Incredibly, I’ve always been fascinated by falling chestnut leaves and here they are as storm as a ship tries to get through and survive.’

","

Andrew Sinclair: ‘Incredibly, I’ve always been fascinated by falling chestnut leaves and here they are as storm as a ship tries to get through and survive.’

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Andrew Sinclair: ‘When the telephone was invented it saved many a ship from going down and the morse code, in a way, early on, was the first sure way of communication and navigation.’

","

Andrew Sinclair: ‘When the telephone was invented it saved many a ship from going down and the morse code, in a way, early on, was the first sure way of communication and navigation.’

","AS49",[314,315],{"_83":-7,"_85":-7,"_86":-7,"_87":-7,"_88":-7},[313],"2026-06-09T13:28:56",{"_49":80,"_53":81,"_51":82},{"_90":318,"_92":319,"_94":66,"_86":95,"_85":95},{"_90":316,"_92":317,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707703.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707703.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707703-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707703-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707703-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707703-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707702.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707702.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707702-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707702-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707702-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707702-100x100.jpg 100w",2739,"scale-and-pot-andrew-sinclair","Scale and Pot - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/scale-and-pot-andrew-sinclair/","/shop/pictures/scale-and-pot-andrew-sinclair/","

Andrew Sinclair: ‘I’ve always loved the old civilisations of the Americas from Yucatan down to Peru. And when they were destroyed, as they were, by the scales of Europe and justice of Europe coming in with the Spaniards, I think something great was lost and we can’t recreate that time with our version of justice.’

","

","AS50",[333,334],{"_83":109,"_85":66,"_86":66,"_87":66,"_88":66},[332],"2026-06-09T13:28:36",{"_49":80,"_53":81,"_51":82},{"_90":337,"_92":338,"_94":66,"_86":133,"_85":133},{"_90":335,"_92":336,"_94":66,"_86":133,"_85":133},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707707.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707707.jpg 1400w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707707-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707707-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707707-1024x1024.jpg 1024w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707707-1000x1000.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707707-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707707-1232x1232.jpg 1232w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707707-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707706.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707706.jpg 1400w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707706-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707706-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707706-1024x1024.jpg 1024w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707706-1000x1000.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707706-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707706-1232x1232.jpg 1232w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707706-100x100.jpg 100w",2740,"santa-maria-andrew-sinclair","Santa Maria - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/santa-maria-andrew-sinclair/","/shop/pictures/santa-maria-andrew-sinclair/","

Andrew Sinclair: ‘From the old world to the new, Columbus sailed in the Santa Maria to the Carabies and I don’t know with that voyage that something wasn’t lost forever.’

Listen to the music box:
\n

","

Andrew Sinclair: ‘From the old world to the new, Columbus sailed in the Santa Maria to the Carabies and I don’t know with that voyage that something wasn’t lost forever.’

Listen to the music box:
\n

","AS51",[352,353],{"_83":109,"_85":66,"_86":66,"_87":66,"_88":66},[351],"2026-06-09T13:28:31",{"_49":80,"_53":81,"_51":82},{"_90":356,"_92":357,"_94":66,"_86":95,"_85":95},{"_90":354,"_92":355,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707715.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707715.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707715-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707715-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707715-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707715-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707714.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707714.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707714-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707714-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707714-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707714-100x100.jpg 100w",2741,"second-nadar-box-andrew-sinclair","Second Nadar Box - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/second-nadar-box-andrew-sinclair/","/shop/pictures/second-nadar-box-andrew-sinclair/","

Andrew Sinclair: ‘At the beginnings of cinema, Nadar floated an airship above Paris. Later on, these early machines show that what we see on the screen now began over a hundred years ago.’

","

Andrew Sinclair: ‘At the beginnings of cinema, Nadar floated an airship above Paris. Later on, these early machines show that what we see on the screen now began over a hundred years ago.’

","AS52",[371],{"_83":109,"_85":66,"_86":66,"_87":66,"_88":66},[370],"2026-06-09T13:28:25",{"_49":80,"_53":81,"_51":82},{"_90":372,"_92":373,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707716.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707716.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707716-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707716-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707716-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707716-100x100.jpg 100w",2742,"shot-at-the-blood-moon-andrew-sinclair","Shot at the Blood Moon - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/shot-at-the-blood-moon-andrew-sinclair/","/shop/pictures/shot-at-the-blood-moon-andrew-sinclair/","

Andrew Sinclair: ‘Méliès sent a shell at the moon in early cinema. On the way, though, it seemed to have gone over Lenin preaching a revolution which in the the end, I must say, ended in Dracula and tens of millions dead.'

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","AS53",[387,388,389],{"_83":109,"_85":66,"_86":66,"_87":66,"_88":66},[386],"2026-06-09T13:26:14",{"_49":80,"_53":81,"_51":82},{"_90":394,"_92":395,"_94":66,"_86":95,"_85":95},{"_90":392,"_92":393,"_94":66,"_86":95,"_85":95},{"_90":390,"_92":391,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707717.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707717.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707717-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707717-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707717-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707717-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707719.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707719.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707719-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707719-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707719-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707719-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707718.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707718.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707718-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707718-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707718-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707718-100x100.jpg 100w",2743,"space-box-1-andrew-sinclair","Space Box 1 - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/space-box-1-andrew-sinclair/","/shop/pictures/space-box-1-andrew-sinclair/","

Andrew Sinclair: ‘The early space films were marvellous. All over the world they had these wonderful robots and monsters with a sort of innocent and wonderful vision of what it might be out there, but of course would never be except in our mind.’

","

","AS54",[409],{"_83":-7,"_85":-7,"_86":-7,"_87":-7,"_88":-7},[408],"2026-06-09T13:28:15",{"_49":80,"_53":81,"_51":82},{"_90":410,"_92":411,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707726.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707726.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707726-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707726-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707726-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707726-100x100.jpg 100w",2744,"space-box-2-andrew-sinclair","Space Box 2 - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/space-box-2-andrew-sinclair/","/shop/pictures/space-box-2-andrew-sinclair/","

Andrew Sinclair: ‘We sent up our rockets to try to reach to the stars, and the planets and outer space and occasionally got there. On the other hand, we often used them to bombard each other. Why?’

","

","AS55",[426],{"_83":109,"_85":66,"_86":66,"_87":66,"_88":66},[425],"2019-06-13T16:07:26","2026-06-09T13:28:10",{"_49":80,"_53":81,"_51":82},{"_90":427,"_92":428,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707727.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707727.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707727-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707727-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707727-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707727-100x100.jpg 100w",2745,"a-19th-century-meiji-period-kutani-double-gourd-vase","A 19th Century Meiji Period Kutani Double Gourd Vase","https://cms.timothylangston.com/shop/objects/ceramics/a-19th-century-meiji-period-kutani-double-gourd-vase/","/shop/objects/ceramics/a-19th-century-meiji-period-kutani-double-gourd-vase/","

A late 19th century Meiji Period Kutani vase, of double gourd form and decorated throughout wit flying cranes and landscapes.

The appeal of Kutani ware exists in its colourful glazes - 'uwaetsuke'. Uwaetsuke is the process of colour painting upon kiln fired pots, often in multiple reds, yellows, greens, purples and shades of indigo. Kutani wares vary from kiln to kiln and region to region, while all maintaining a consistently vibrant colour palette.

","

A late 19th century Meiji Period Kutani vase, of double gourd form and decorated throughout wit flying cranes and landscapes.

The appeal of Kutani ware exists in its colourful glazes – ‘uwaetsuke’. Uwaetsuke is the process of colour painting upon kiln fired pots, often in multiple reds, yellows, greens, purples and shades of indigo. Kutani wares vary from kiln to kiln and region to region, while all maintaining a consistently vibrant colour palette.

","0552",[453,454,455,456],{"_83":-7,"_85":-7,"_86":-7,"_87":-7,"_88":-7},[441,442,443],"2019-06-13T16:07:53",{"_49":450,"_53":451,"_51":452},{"_49":447,"_53":448,"_51":449},{"_49":444,"_53":445,"_51":446},19,"Vases","vases",17,"Objects","objects",18,"Ceramics","ceramics",{"_90":463,"_92":464,"_94":66,"_86":95,"_85":95},{"_90":461,"_92":462,"_94":66,"_86":95,"_85":95},{"_90":459,"_92":460,"_94":66,"_86":95,"_85":95},{"_90":457,"_92":458,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707929.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707929.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707929-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707929-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707929-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707929-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707926.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707926.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707926-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707926-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707926-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707926-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707928.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707928.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707928-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707928-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707928-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707928-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707927.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707927.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707927-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707927-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707927-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707927-100x100.jpg 100w",2746,"a-late-19th-century-jugendstil-silvered-champagne-wheel-barrow","A Late 19th Century Jugendstil Silvered Champagne Wheel Barrow","https://cms.timothylangston.com/shop/objects/metal-ware/a-late-19th-century-jugendstil-silvered-champagne-wheel-barrow/","/shop/objects/metal-ware/a-late-19th-century-jugendstil-silvered-champagne-wheel-barrow/","

A late 19th century silver-plated Champagne trolley in the form of a wheelbarrow, the body naturalistically worked in the Jugendstil.

The Jugendstil was born in Germany in the 1890s and continued to thrive into the early years of the 1900s. It takes its name from the Munich publication 'Die Jugend' (Youth), which made a feature of Art Nouveau. This piece falls into the first phase of the Jugendstil. Prior to 1900, the style is predominantly floral and foliate and found its roots in the English Art Nouveau alongside Japanese applied arts and prints. This preempted a more abstract phase, which emanated from Vienna.

","

A late 19th century silver-plated Champagne trolley in the form of a wheelbarrow, the body naturalistically worked in the Jugendstil.

The Jugendstil was born in Germany in the 1890s and continued to thrive into the early years of the 1900s. It takes its name from the Munich publication ‘Die Jugend’ (Youth), which made a feature of Art Nouveau. This piece falls into the first phase of the Jugendstil. Prior to 1900, the style is predominantly floral and foliate and found its roots in the English Art Nouveau alongside Japanese applied arts and prints. This preempted a more abstract phase, which emanated from Vienna.

","0553",[482,483],{"_83":-7,"_85":-7,"_86":-7,"_87":-7,"_88":-7},[477,478],"2019-06-13T16:07:55",{"_49":479,"_53":480,"_51":481},{"_49":447,"_53":448,"_51":449},36,"Metalware","metal-ware",{"_90":486,"_92":487,"_94":66,"_86":95,"_85":95},{"_90":484,"_92":485,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/707990.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707990.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707990-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707990-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707990-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707990-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/707989.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/707989.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707989-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707989-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707989-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/707989-100x100.jpg 100w",2747,"space-port-andrew-sinclair","Space Port - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/space-port-andrew-sinclair/","/shop/pictures/space-port-andrew-sinclair/","

Andrew Sinclair: 'There was a magic in the early tin toys which is totally lost and in the child's dream of how it might look if we sent men up to Mars.’

","

Andrew Sinclair: ‘There was a magic in the early tin toys which is totally lost and in the child’s dream of how it might look if we sent men up to Mars.’

","AS56",[501,502],{"_83":109,"_85":66,"_86":66,"_87":66,"_88":66},[500],"2026-06-09T13:28:05",{"_49":80,"_53":81,"_51":82},{"_90":505,"_92":506,"_94":66,"_86":95,"_85":95},{"_90":503,"_92":504,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/708510.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/708510.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708510-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708510-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708510-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708510-100x100.jpg 100w","https://cms.timothylangston.com/wp-content/uploads/2019/06/708509.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/708509.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708509-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708509-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708509-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708509-100x100.jpg 100w",2766,"stateside-forever-andrew-sinclair","Stateside Forever - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/stateside-forever-andrew-sinclair/","/shop/pictures/stateside-forever-andrew-sinclair/","

Andrew Sinclair: ‘I sailed to New York when I was a young man and spent 8 years in America and I always had this dream of it - from George Washington and bald eagles and time and, to me, its always remained a dreamland, but far away from Hollywood.’

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","

Andrew Sinclair: ‘I sailed to New York when I was a young man and spent 8 years in America and I always had this dream of it – from George Washington and bald eagles and time and, to me, its always remained a dreamland, but far away from Hollywood.’

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

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Andrew Sinclair: ‘William Blake’s angel in the howling storm flies across these yachts and ships and trees, trying to reach some tangled jungle - where the lion waits for them....’

","

Andrew Sinclair: ‘William Blake’s angel in the howling storm flies across these yachts and ships and trees, trying to reach some tangled jungle – where the lion waits for them….’

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Andrew Sinclair: ‘I always loved The Blue Angel. I even published it with Josef von Sternberg and to me it is Marlene Dietrich finest and most iconic performance and we will never see a cabaret in the same way after seeing The Blue Angel.'

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

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Andrew Sinclair: ‘Well, we’ve had another great crash after the original great crash, and as always, money is a merry-go-round and monsters lurk over our stupidity in all our financial affairs. I don’t know why we have crashes, I never will, but they come with the ultimate idiocy of financial policy.’

","

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Andrew Sinclair: ‘I think that the best space items are tin toys: in this case a little circus where you just pull a button and the space-age creatures go round and round and round and you can just count your way 1-2-3-4-5-6-7-8-9-10 as you send off your rocket into space.’

","

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Andrew Sinclair: ‘This picture of the Titanic sailing into the icebergs of the shells, with the sky zeppelin above, is all to me on a tragedy which has become, indeed, a sort of legend of how, whoever we are, wherever we’re going, on the perfect craft, can sail into an iceberg.'

","

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Andrew Sinclair: ‘I’ve always loved deserts from Arabia to the Gobi Desert, to all of them and to how we reach them… in a sort of a dream. In this case, Méliès is firing a rocket at the moon; early transport. Below us, for ever and ever, lie the desert and occasionally a tower, like the Tower of Babel, we can put up among them.'

","

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Andrew Sinclair: ‘We have always been in a traffic jam. There is no way that we will ever make a boulevard or road big enough to hold all the traffic we hurl upon it - so it is always jam tomorrow.’

","

Andrew Sinclair: ‘We have always been in a traffic jam. There is no way that we will ever make a boulevard or road big enough to hold all the traffic we hurl upon it – so it is always jam tomorrow.’

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Andrew Sinclair: ‘From the earliest beginnings of transport through these series of stamps which celebrate our space voyages, we stick them down. But where they are taking us we simply do not know.’

","

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Andrew Sinclair: ‘The finest picture I ever made was Under Milk Wood but I couldn’t have made it firstly without Dylan Thomas’ immortal words but also because of all the cinema which had come before me. We steal each others sequences from great directors.’

","

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Andrew Sinclair: ‘This box was inspired by the bird sequence of Joseph Cornell; my mentor and my guide.'

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","

Andrew Sinclair: ‘This box was inspired by the bird sequence of Joseph Cornell; my mentor and my guide.’

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

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Andrew Sinclair: ‘Joseph Cornell, my inspiration, also did a sequence of penny arcades and in this box I try to suggest time and bones, fossils and of course the timelessness of all works of art.'

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","

Andrew Sinclair: ‘Joseph Cornell, my inspiration, also did a sequence of penny arcades and in this box I try to suggest time and bones, fossils and of course the timelessness of all works of art.’

Andrew Sinclair, Follower of Joseph Cornell
\nArtist, Writer and Film Director. For more information visit www.filmisart.com

","AS68",[721],{"_83":109,"_85":66,"_86":66,"_87":66,"_88":66},[720],"2026-06-09T13:23:58",{"_49":80,"_53":81,"_51":82},{"_90":722,"_92":723,"_94":66,"_86":95,"_85":95},"https://cms.timothylangston.com/wp-content/uploads/2019/06/708679.jpg","https://cms.timothylangston.com/wp-content/uploads/2019/06/708679.jpg 1000w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708679-316x316.jpg 316w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708679-190x190.jpg 190w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708679-337x337.jpg 337w, https://cms.timothylangston.com/wp-content/uploads/2019/06/708679-100x100.jpg 100w",2799,"waynes-wild-west-andrew-sinclair","Wayne's Wild West - Andrew Sinclair","https://cms.timothylangston.com/shop/pictures/waynes-wild-west-andrew-sinclair/","/shop/pictures/waynes-wild-west-andrew-sinclair/","

Andrew Sinclair: ‘When the cowboys came and rowed out and made the Wild West, they destroyed something vital: an incredible Indian culture. I learnt of it from the Navajos and they included in a human shape, or the shape of the future, the whole of the landscape. In this case, it is a skull with the landscape behind it within the skull and in the cage, the reservation that they were put in.'

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Andrew Sinclair: ‘Two things destroyed the Germany we knew and loved: one was the Weimar Republic which destroyed the whole monetary system and allowed Hitler to come in: a buffoon, a clown; but one of the most lethal clowns in history. And that is what you see.’

The work is a collage and includes original all-rights-reserved imagery.

","

The work is a collage and includes original all-rights-reserved imagery.

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